Vyangyavyakhya: The Aesthetics of Dhvani in Theatreby K.G. Paulose (Author

The doctrine of dhvani, expounded by Anandavardhana (ninth century CE) in Kashmir though contested by his contemporaries at home received sound acclamation in Kerala. A royal dramatist kulasekhara of the same century applied dhavni to the theatre. His performance text is known as vyangyavyakhya (VV) meaning interpreting the implied. This was an epoch-making event in the history of Indian theatre. This innovation in per formative practices marked a deviation from Bharata’s national tradition and laid down the foundation for classical form like kutiattam, Krsnattam, Kathakali and Mohiniyattam. VV today continues to inspire contemporary directors to formulate new interpretative sub-texts for ancient plays. VV, which remained in manuscripts till now is published for the first time.

As icing on the cake four eminent scholars K.D. Tripathy, Radhavallabh Tripathi, N.P. Unni and Kavalam Narayana Panikkar delve deep into the aspects of VV as introduction to this book. This volume discusses in detail the Sanskrit theatre until tenth century CE, performance text of Dhananjayadhvani and samvarandadhvani and the development in the post Kulasekhara era.