Surya-Pratima: Iconography and Religious Tradition of Marathwada

Sürya-Pratima: Iconography Religious Tradition of Marathwada is an extensive study of the Sürva images from the region of Marathwada, taking into account iconographic, stylistic and textual perspectives. It has been thought that few Sürva images are found in the Marathwada region and Sürya was one of the lesser-worshipped deities in the region. An extensive fieldwork in the region of Marathwada for two years has resulted into finding of numerous Sürya images in the region, attesting that God Sürya was one of the significant deities of the Brahminical pantheon. Sürya images from the museums, on the temple walls, in the shrines and loose sculptures were documented from eight districts of Marathwada. The present monograph offers a typological analysis of the Sürya images from Marathwada, based on stylistic features, the presence or absence of associated imagery, and syncretism. The iconographic analysis of Sürya images based on textual (especially Śilpa texts) tradition is quite interesting to underscore the association of text and image in an art-historical context. The presence of more than 75 Sürya images in the region of Marathwada strongly attests to the prevalence of Sürya worship in the region during the late historical and early medieval periods. A comprehensive study of the Sürya images from Marathwada has unearthed the history of Sürya worship, one of the important traditions of the Smärta religion, i.e., Pañcopāsanā, in the region of Marathwada. The present research is an important contribution to the fields of Indology, Iconography, Religious history of ancient India, and Art history of the early medieval period. This research would serve as a model for micro-study of religious imagery to locate it in the wider framework of religious history and iconographic traditions.